Umaaraw Umuulan Kinakasal Ang Tikbalang Essay Example for Free

Umaaraw Umuulan Kinakasal Ang Tikbalang Essay Since our youth days, we know about the Philippine fables acquainted with us by the Spanish monks to be specific: the tikbalang, aswang, mananaggal, kapre and so forth. Who might have believed that these animals are in actuality companions of the creatures ordinarily around us and go about as gatekeepers of Mother Earth? This splendid thought brought forth from a short story composed by Gilda Cordero-Fernandez entitled The Magic Circle and incredibly performed by the Dulaang UP last December. Essentially, the story rotates around Jepoy, a kid living in the timberland with his expelled mother Aling Barang, and his excursion inside the profundities of the woods to go to a secretive wedding of legendary animals. Jepoy is joined by his pooch Galis, which can walk upstanding and talk inside the timberland. He is invited by Doã ±a Geronima, the pioneer of the mysterious animals and Aling Pacqui, a smaller person and later on acquainted with the kapre, Kap. I preferred how the play was acted. Being a theater fan, I additionally recognized the delightful set in front of an audience and how they made vivid outfits out of reused materials, particularly Doã ±a Geronima’s. My preferred character was the entertaining yet kind Aling Pacquita. She was extremely interesting and I discover her strolling on her knees tedious yet successful in depicting her character as a smaller person. Be that as it may, they could have eliminated the incidental on-screen characters, (aside from the three heads). I discovered them upsetting here and there. I didn’t like the utilization of sprayers to show downpour. I surmise I hoped for something else. The exercise of the story is tied in with sparing nature. The story arrived at the goals later in the play. Before the play closes, Jepoy, the principle character, discovers him as a certain â€Å"chosen one† by the enchanted animals and requests that he be their agent to help spare the earth. As a result of being only a poor kid, with nobody yet an insane mother to live with, he wavered to acknowledge their solicitation. By then on, the animals alongside the creatures persuaded Jepoy that he can roll out an improvement regardless of how little he may appear to be. He acknowledged the solicitation after that. The exercise wasn’t simply presented because of the advancement of the story yet in addition through the nonverbal signs that helped the crowd comprehend it better. These nonverbal signals were available in the entirety of the characters yet Kap had the most recognized one. He showed a body movement known as an artist. His activity, sluggish developments and continuous gesturing of the head demonstrated his trouble to the past treatment of people to him. He additionally showed paralanguage where his voice was dry and every now and again upset by wheezing and hacking demonstrating how old and wiped out he was. In conclusion, the ecological components when Kap was talking were apparent. The lighting, the sound and even the declarations of different animals indicated how they truly need Jepoy’s help to spare our condition. All in all, the play Umaaraw, Umuulan Kinakasal ang Tikbalang is a powerful and magnificent play that would recharge our adoration for nature and regard it, as well. The main thing left for us to do is help Jepoy in his undertaking. Let’s show our adoration and thankfulness for the mother that supports all of us: Mother Earth.