Tess Essay -- essays research papers

Tess Durbeyfield is a dupe of both external and internal forces. Passive and yielding, unsuspicious and fundamentally pure, she suffers a weakness of will and reason, struggling against a fate that is too unvoiced for her to get well. Tess falls victim to circumstance, society, and male idealism. Tess may be unavailing to overcome these app bent difficulties is destroyed by her ravaging self-destructive sense of guilt, liveness denial and the cruelty of two men. It is primarily the death of the horse, Prince, the Durbeyfields primary(prenominal) source of livelihood that commences the web of circumstance that envelops Tess. The imagery at this speckle in the refreshed shows how distraught and guilt ridden Tess is as she places her hand upon Princes wound in a futile attempt to prevent the rip loss that cannot be prevented. The imagery is equivalent to a photographic certainty - a lead-up to the events that will shape Tesss life and the inevitable sinister that also, like the crimson blood that spouts from Princes wound, cannot be stopped. The symbolic item that Tess perceives herself to be comparable to a murderess is an insight into the murder that she will in conclusion commit and is also a reference to the level of guilt that forthwith consumes her. Nobody blamed Tess as she blamed herself... she regarded herself in the light of a murderess. Tess overhears herself as the cause of her familys economic downfall. Tesss parents, aware of her beauty, view Tess as an opportunity for future accumulation of wealth. With the unfortunate circumstance of Princes death Tess, is urged to venture from the engirded and secluded region of Marlott to seek financial service from the Durbervilles in nearby Trantridge. It is here in Trantridge that she archetypal encounters the sexually dominating and somewhat demonic Alec Durberville. Alecs firstly words to Tess, Well, my Beauty, what can I do for you? indicate that first clinical depression of Tess is only of sexual magnetism. Alec then harvest to charm Tess by button strawberries into her mouth and pressing roses into her bosom. These fruits of love are an indication of Alecs lecherousness and sexual desire for Tess as he preys upon her purity and rural innocence. Tess unwillingly becomes a victim to Alecs inhumane, violent and aggressive sexual advances. Alec, perpetually the master of opportunities, takes advantage of her while alone in the woods and proceeds to rape ... ...as subjected her to the cruelty of love. Tess, a victim once again is outright broken both spiritually and emotionally. It is at this point in the novel that she begins to come to the realization that her beauty is part of the cause of her destruction. In conclude to this she dons her oldest field gown, covers half her face with a handkerchief, and snips off her eyebrows to maintain off these casual lovers. Unfortunately for Tess she has come to this realization to late. She now is unable to save herself from Alecs lustful actions and Angels idealized reasoning. The slopped tragedy of Tesss life is that her decisions have always been made with level-headed and pure intentions, but have resulted in damaging consequences. Tess is undoubtedly a victim as misery punctuates her life. Tess is a victim of circumstance in that her individuality makes little difference to her fate. She is a victim of society in the sense that she is a scapegoat of narrow-mindedness among her fellow man. She is a victim of male ideology on the grounds that her powers of will and reason are undermined by her sensuality. Tess herself sums up her own blighted life best, Once a victim, always a victim - thats the law.